If you’ve ever watched a ballerina seemingly defy gravity while on the tips of their toes, you’ve probably thought “wow.” And also, “ouch.”
Both are warranted: The dance style is beautiful, but it can be painful and physically demanding, in large part thanks to pointe shoes.
With its flattened end designed to let the wearer stand on tiptoe, the pointe shoe is an ingrained part of ballet. It’s also an expensive one.
And while most of us would just need one pair of dancin’ shoes (or none — no one should have to witness that), ballerinas burn through their slippers at record pace.
But traditional dance companies like Freed of London — which has been in business since 1929 and supplies pointe shoes to the Paris Opera and New York City Ballet — have some teams producing shoes by hand, meaning ballerinas can wait 12+ months for a pair.
While some ballet companies require their dancers to don certain shoes, and many dancers feel strongly about tradition, there’s a growing industry of companies trying to make a better pointe shoe.
Pointe shoes were not the only slippers in need of a makeover: Men’s soft ballet shoes, which have been mostly untouched since the 19th century, have long lacked the cushion afforded to athletes in other sports.
Orza, created by a ballerina, is fixing that with shock-absorbing sneaker tech with ballet shoes that offers a supportive heel and layers of foam cushioning for tiny toe bones.
The shoes might be getting comfier but don’t leap to any conclusions — grace is still required.